This is fully immersive video that’s been shot with a 360-degree video camera. The video footage extends in a full circle around the camera position, which is usually stationary but could also be mounted on a skydiver’s helmet, for example. There are two ways of working with and watching 360-degree video. One is to use […]
These are photos which use 8 bits of data for each of the red, green and blue colour channels. This is enough to give over 16 million colours – more than enough for photographic images. The JPEG photos taken by digital cameras are 8-bit images.
The latest kind of image stabilisation technology, where the camera’s sensor can be tilted or shifted on 5 axes to counter a much wider range and types of movement than regular lens-based image stabilisers, and it’s a particular advantage for video, where these additional movements can pose problems during handheld filming. 5-axis stabilisation used in […]
The latest consumer video standard, with a horizontal resolution of 4,000 pixels or thereabouts. 4K video is appearing on an increasing number of cameras and even smartphones, and 4K TVs are gaining in popularity. Strictly speaking, the dimensions for 4K video are 4.096 x 2,160 pixels and the aspect ratio is slightly wider than the […]
This is the aspect ratio of full HD and 4K UHD video and it’s been widely adopted as the aspect ratio for domestic TVs and computer monitors. The 16:9 ratio means that the picture is 16 units wide by 9 units high. These units can be anything from pixels to centimetres to inches, but the […]
These are photos with 16 bits of data for each of the red, green and blue colour channels. These aren’t created directly by the camera, but you can generate 16-bit images from RAW files and they withstand heavy image manipulation better than regular 8-bit images. The file sizes are much larger, though, which puts more […]
A unique sensor size used by Canon in its PowerShot G1 X II.
The ‘bit depth’ of RAW files is a factor in the picture quality they can produce, so this is a selling point for advanced digital cameras. Some cheaper models can only shoot 12-bit RAW files, but while this sounds like a small difference, the extra bit depth potentially offers 4x the image data so 14-bit […]
A new sensor size roughly half way between the small sensors in point and shoot digital cameras and the much larger ones in digital SLRs and mirrorless cameras. It’s found in more advanced high-end compact cameras, and Nikon uses it for its Nikon 1 mirrorless cameras. It’s been adopted by a number of makers as […]