This is the distance between the mounting plate on a camera that takes interchangeable lenses and the sensor itself. Mirrorless cameras have a shorter flange distance because there’s no mirror inside the body, and this makes the cameras slimmer. DSLRs have a longer flange distance because there needs to be space inside the body for the mirror that this design gets its name from. This makes DSLR bodies thicker. This difference in flange distances means that it’s sometimes possible to use lens adaptors to fit lenses of a different type, brand or lens mount to a camera. This generally works one way only – you can mount a lens with a longer flange distance (e.g. a DSLR or old film SLR lens) on a camera with a shorter flange distance (e.g. a mirrorless camera) but not the other way round.
Extended dynamic range movie mode introduced by Fujifilm to handle high-contrast lighting, extending dynamic range by 200% or 400%. Other higher-end movie cameras have a similar feature. It produces flat-looking footage but with extended data in the shadow and highlight areas and the idea is that you process the video later on a computer (grading) to achieve the finished look. It’s the video maker’s equivalent of shooting RAW files.
An inexpensive plug-in which forms part of MacPhun’s Creative Kit suite. It offers a variety of single-click photographic effects organised into categories. There are few controls, so although it can create some striking ‘looks’ very quickly, it’s not as sophisticated as regular effects plug-ins.