In principle, you can’t mix and match different types and brands of lenses with different camera bodies. Each camera maker uses its own bespoke lens mount and different mechanical and electronic connections between the camera body and lens. However, it’s often possible to make lenses fit different brands and types of bodies with lens adaptors. […]
Company which champions old, analog cameras, outdated or cross-processed film and relaunched classic lens designs. Lomography products are known for their expense, sometimes makeshift construction and general unpredictability, but also revered by their fans for these very reasons (well, probably not the expense), because they introduce the kind of randomness, unexpectedness and engagement lost in […]
LUT stands for ‘lookup table’. Essentially, it takes the colours in an image and remaps them on to new ones. It really is a table consisting of a large grid of colour swatches and how they should be adjusted in the converted images. Its closest equivalent is the device profiles used in colour management systems, […]
The lens is a fundamental part of any camera. It’s what creates the image on the camera sensor (or film). Some cameras have a fixed, non-removable lens while others offer interchangeable lenses. Your choice of lens has a major impact on the appearance of your pictures, including the lens’s focal length (angle of view) and […]
This is a small microphone designed to attach to a speaker’s clothing for interviews or presentations, for example. They’re usually small and unobtrusive, they’re hands-free and they help exclude other background noises. They may also be called lapel mics. Some are connected to the camera or sound recorder by wire, others work wirelessly.
A flexible microphone mount specially designed to absorb vibration and shocks to improve the quality of sound recordings when the mic is mounted on a camera’s accessory shoe, for example, or a portable video rig. Sometimes they come as standard with microphones but you can also get them separately.
Comparatively new image-editing software that offers instant effects presets made with a range of different filters and tools which you can combine and adjust manually. It offers easily-customised ‘workspaces’ which contain only the tools you need and which makes the interface as straightforward as possible.
The chief component in image noise and the one that’s most difficult to remove because software can’t easily distinguish between random image noise and real image detail. The result is that the more noise reduction you apply, the more you tend to lose fine image detail, resulting in images with obvious and objectionable ‘smoothing’.
A filter directly in front of most camera sensors to prevent interference (moiré) effects between any fine patterns and textures you photograph and the rectangular grid of photosites on the sensor. These filters actually blur fine detail slightly, and some makers no longer use them.
A photo where most of the tones are dark, such as a black cat in a coal cellar. You can also give photos a low key look with slight underexposure. It gives photos a dramatic, moody look, though the subject matter has to be right for this to work properly.
In traditional film photography, this is a small magnifying eyepiece for examining the detail in a negative, slide or print. In digital imaging it’s a magnifying view for use on-screen. Aperture and Capture One use a digital representation of a loupe, while Lightroom has a Loupe view where you can zoom in and out.
Long exposures turn moving subjects like water and clouds into an atmospheric blur. The exposure time often needs to be several seconds or longer, so a tripod is essential. In bright light you’ll need a neutral density (ND) filter to get these long exposures.
A relatively new type of image adjustment that splits a photo up into different areas, depending on its properties, and applies an optimum contrast adjustment to each. It’s used for a variety of ‘dehaze’ and similar tools. It’s also used as a kind of super-coarse sharpening which doesn’t make the edges of objects crisper in […]
Adjustments made only to specific areas in a photo, not the whole picture. You pick out the areas you want to adjust with selections, masks or brush tools.
Where the camera displays what the sensor is capturing either on the rear LCD or in an electronic viewfinder. All compact cameras and mirrorless cameras are effectively in ‘live view’ all the time. It’s only out of the ordinary on a DSLR, which has to go into a special mirror-up ‘live view’ mode.
Standard rechargeable battery type for digital cameras. Lithium ion batteries have good capacity, supply a constant output from fully charged until drained and have none of the ‘memory effects’ that affect other rechargeable battery types – you don’t have to wait until a lithium ion battery is flat before charging it again.
A Photoshop mode for bending, pinching and distorting areas of an image to create a special effect or ‘improve’ the body shape of a subject. Other applications offer similar tools.
A display mode in Aperture where you can arrange a group of images on a ‘virtual’ table to plan an effective layout or presentation or just to decide which images fit best together.
An app for iOS or Android devices which works alongside the desktop Lightroom app to display images you’ve synchronised via Creative Cloud. When sync a Collection in the desktop app, that Collection and its images will appear in Lightroom Mobile. You can view and even edit images in Lightroom Mobile and your changes will be […]
All-in-one photo cataloguing, organising and editing tool that also synchronised with a mobile app so that you can browse and share your images while you’re on the move. It uses the same RAW conversion engine and tools as Adobe Camera Raw, which comes with Photoshop.