Camera bags and types

Photo by Andrew Neel on Unsplash

If you’ve got camera gear, you need a camera bag to carry it around in. But there are lots of different types and sizes of bag on the market, and we all have different requirements, so here’s a run through of what’s out there and how to choose the bag that suits you best.

Camera backpacks are very popular amongst landscape photographers, travelers and pros. They let you carry a lot of gear in relative comfort and they offer your equipment pretty good protection too. You can configure the interiors around your camera gear, and some are split into ‘camera’ and ‘day’ compartments – the ‘day’ compartment is for water, food, clothing or any other non-photographic items you’ll need.

The trouble with backpacks is that your gear is pretty inaccessible until you stop, take off the backpack and open it up. If you need faster access for general walk around photography, a shoulder bag is much more effective. It won’t be as comfortable over longer distances, but it will be much faster and more convenient for street or travel photography.

Shoulder bags can be pretty bulky, especially if you need to use your bag on public transport or for a daily commute. Messenger bags have all the advantages of a shoulder bag but in a slimmer design. You might not be able to squeeze in quite so much camera gear, but there will often be a laptop compartment and room for everyday commuting/office essentials.

Sling bags try to offer some of the advantages of a backpack and a shoulder bag. They swing round to rest against your back for comfort, but swing round under your arm for front access when you need your gear. They can be effective, but it can also be difficult to get your head around the orientation of the bag, its straps and the openings.

If you travel very light, with just a camera and one lens, then a holster bag may be the best solution. These come in different sizes and lengths to accommodate different camera/lens combinations, and you can usually find one to fit your kit. However, you won’t get much extra stowage space beyond a small zip up pocket (if that).

At the other end of the scale, if you travel a lot by air, a roller bag may be the best solution. These are semi-rigid rectangular cases designed to meet airline cabin bag regulations, and which have a pull-out handle and wheels on the base.

But for ultimate protection you may need a hard case. These are rigid, reinforced cases with customizable internal padding to hold your equipment securely in place. Hard cases are designed to cope with rough handling and some are even waterproof.

Similar Posts

  • Noise and noise reduction

    Random ‘speckling’ in an image caused by variations in the light levels captured by the photosites on the sensor. Noise is worse with the smaller photosites on small sensors and at higher ISO settings generally. You can get ‘chroma’ (colored) noise and ‘luminance’ noise (general ‘grittiness’) the same color as the background.

  • File formats explained

    There are number of different file formats in use in photography, particularly when you move on to the editing phase. There is no ‘best’ file format exactly because it depends on the context and the particular stage in your shooting and editing workflow. So let’s take a look at these different file formats in detail.

  • Exposure and how it works

    Exposure is the science (and the art) of making sure the sensor gets exactly the right quantity of light to produce a good image. Exposure is adjusted using shutter speed (the length of the exposure), lens aperture (how much light is passed through) and ISO (the sensitivity setting of the camera). Camera’s have light meters to estimate the correct exposure setting but it’s sometimes necessary to override this with manual adjustments.

  • Flash photography basics

    Sometimes the ambient light level is too low for successful for photography, or it’s the ‘wrong’ kind of light. This is where photographers turn to flash (or ‘strobe’, if you’re in the US). Flash works by emitting a very short, very powerful burst of light. Energy is stored in a capacitor in the flash head…

  • Shutters explained

    The mechanism that controls the length of the exposure. On some smaller cameras this may be in the lens (a ‘leaf’ or ‘in-lens’ shutter), but on DSLRs and mirrorless cameras with interchangeable lenses, it’s a ‘focal plane’ shutter directly in front of the sensor.