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You are here: Home / Archives for Definition

Definition

Color Efex (Nik Collection)

A software plug in that’s part of the DxO Nik collection. Color Efex Pro offers a huge variety of preset image effects you can browse through and apply to your photos with a single click, but you can also adjust the filters manually and even stack them to create custom ‘recipes’. Color Efex Pro also offers localized adjustments via ‘control points’.

Color burn

A layer blend mode found in most programs that support image layers. Using this mode produces an ultra-high contrast composite image based on the layer it’s applied to and the layer(s) underneath.

Cloud storage

Where you store or share images online as well as or instead of storing them on your computer. Cloud storage offers the advantage that your images are accessible everywhere as long as you have an Internet connection, though displaying and downloading images is of course slower than opening them on a hard drive, and uploading images in the first place is slower still. Examples include Apple iCloud, Dropbox and Google Drive.

Cloning

Using a special clone stamp tool to copy pixels from a nearby area of an image to cover up an unwanted object or blemish. Cloning is something of an art, and some programs now offer simpler ‘content aware’ object removal.

Clipping

For photographers, ‘clipping’ is where the image histogram is cut off abruptly at one or both edges. It means that some image detail is completely lost in solid black shadows (shadow clipping) or completely white highlights (highlight clipping).

Clarity

‘Clarity’ is a localized contrast adjustment much coarser than regular sharpening, which throws larger objects into sharp relief and can add some much needed definition and ‘bite’ to low-contrast scenes.

Cache

This is temporary storage space used by software so that files you need often can be accessed more quickly. It’s typically used for image thumbnails and previews in programs like Adobe Bridge and Lightroom. Sometimes cache files cause problems and must be purged or deleted, sometimes the storage allocation for the cache needs to be made larger in the application preferences to improve performance. Caches and cache files are generally expendable, but they are there for a reason and to speed up performance.

Browser (photos)

Software that can ‘browse’ through the folders on your hard disk and show you any photos inside them as thumbnail images. This is the simplest form of photo organization tool and works perfectly well for many photographers, even though it lacks flexibility. Adobe Bridge is a file browser, for example, while Alien Skin Exposure and ON1 Photo RAW are examples of photo-editing programs that have browsers built in.

Bracketing

Taking the same shot at a series of different exposures with the intention of choosing the best one later or merging them together to create an HDR image. Most cameras offer an auto exposure bracketing option. You choose the bracketing interval (the difference between the exposures, typically 1EV) and the number of frames (usually 3, sometimes 5 or even 7). Some cameras offer other types of bracketing, e.g. white balance bracketing or even focus bracketing.

Boundary Warp (Lightroom)

A tool in Lightroom that fills in the blank wedges at the edge of a panoramic image stitched together from overlapping frames. Normally, you’d have to crop these off and lose parts of the picture, but the Boundary Warp tool ‘pushes’ parts of the picture out to the edges so that you don’t lose anything.

Blend mode

Blend modes are used to control the way different layers in an image interact, and they apply not just to other image layers but also non-destructive adjustment layers.

Batch processing

Applying the same image adjustments to a whole batch of photos. For example, you might choose a black and white conversion style and apply it to all the photos from a particular shooting session. Batch processing can save a lot of time, but only if all the images will benefit from the same settings.

Backup

It’s extremely important to keep backups of your images, the changes you’ve made to them and your image organization system. There are backup tools for backing up your entire computer system, selected folders and sub folders, and backup tools built into image cataloging programs like Lightroom.

As shot (white balance)

When you shoot RAW files you will be able to change the white balance setting later, but the camera will still store shooting settings you chose in the RAW file. When you open the RAW file in your software, it will read this embedded data and display it as ‘As Shot’ in the white balance settings. You can adjust the settings or apply a new white balance preset, and the ‘As Shot’ setting embedded in the file will still be available if you need to return to it later.

Asset management

The professional term for image cataloging, and often used in photographic or design studios managing large numbers of images on a commercial basis. They may include not just photos but illustrations, logos and other graphics, hence ‘assets’ rather than photos.

AI (Artificial Intelligence)

Machine-based learning which interprets the contents of the image in a sophisticated way to produce better enhancements or better object and scene recognition. Skylum’s Accent – AI Filter in Luminar uses artificial intelligence to optimize photos automatically, while Google Photos uses artificial intelligence to identify and search through your pictures.

Affinity Photo

For a long time Adobe Photoshop has been the only real professional level image-editing program, but software company Serif has launched a professional photo editing program which competes directly with Photoshop at a much lower price – and for a single payment rather than the software subscription system introduced by Adobe. Affinity Photo has been built from the ground up for speed and performance and compatibility with the Photoshop PSD file format.

Adobe Camera Raw

Software that works alongside Adobe Photoshop to open and process RAW files before they open in Photoshop itself. Adobe Camera Raw’s tools are also built into Adobe Lightroom. Most people use Adobe Camera Raw to process their RAW files simply because they’re using Photoshop or Lightroom, but other RAW converters are available.

Adobe Bridge

The folder and file browser used across Adobe’s Creative Cloud applications, not just Photoshop. For many photographers, its a simpler and more predictable image organizing tool than Lightroom.

Adjustment Brush (Lightroom)

A tool used to ‘paint’ local adjustments on to an image manually, and one of the key adjustment tools in Lightroom, for example. You may need to choose the adjustments you want to make, e.g. exposure, saturation, clarity and so on before you start painting although non-destructive photo editors let you make changes to these settings afterwards too. You can change the size, softness and opacity of the Adjustment Brush.

Zoom range

The difference in magnification offered by a zoom lens and its widest and longest focal lengths. The average kit lens has a zoom range of 3x, so at full zoom objects appear 3x larger than they do when you’re zoomed right out. The Nikon P900 has a record-breaking 83x zoom.

Zoom lens

A lens which can be adjusted to give a range of different focal lengths. Most lenses in use today are zooms because they’re so much more versatile than fixed focal length (prime) lenses – you can adjust the framing without having to change the camera position. The disadvantages of zoom lenses are increased distortion and other aberrations, reduced maximum aperture and greater cost and weight.

Zone System

A system developed by the great landscape photographer Ansel Adams for measuring the light levels throughout a scene and allocating them to ten brightness ‘zones’. The idea was to develop the film to a specific level of contrast that captured the full range of tones and make appropriate artistic interpretations with dodging and burning during the print-making process. It worked well with the very exposure tolerant sheet films of the day, where each negative was processed individually, but it’s mostly of academic interest today since digital sensors don’t offer this extended exposure latitude.

Zebra pattern

A visual warning that image highlights are being overexposed and used especially during video recording. The overbright areas are marked by moving diagonal stripes (hence zebra) leaving you to decide whether to reduce the exposure or to leave it if the highlight areas are unimportant.

X-trans sensor

A sensor layout unique to Fujifilm which replaces the usual bayer pattern of red, green and blue photosites with a more ‘random’ arrangement. Fujifilm says this eliminates the need for a low-pass filter to combat moiré (interference) effects, resulting in sharper fine detail.

XQD card

An extra-fast memory card format currently used only in the Nikon pro DSLRs. It’s about half the size of Compact Flash but has the potential for extremely high speeds – though it’s yet to be seen whether many other camera makers will adopt it.

X-mount (Fujifilm)

This is the lens mount for Fujifilm’s X-series mirrorless cameras. These include the Fujifilm X-T2, X-H1, X-E3 and others. Any X-mount lenses can be used on any X-mount camera, though note that Fujifilm’s medium format GFX 50S uses a different mount and different lenses.

Workspace

Highly complex photo-editors offer so many tools that the interface can quickly become cluttered and confusing. To get round this, most offer the ability to produce a custom workspace containing only the tools you use most often.

Wind cut

A feature on some microphones that attempts to cut out loud roaring, whistling noise that you might not notice when shooting but which spoils the sound quality. It can be effective, but it’s even better to use a muffler on an external microphone.

Wi-Fi

An increasingly common feature on digital cameras at all levels. The camera sets up a Wi-Fi hotspot which you can then connect to with a smartphone or tablet. The camera maker supplies an app which you can use for transferring photos to the device and for controlling the camera remotely.

Wideangle lens

A lens that takes in a wider than usual angle of view. Wideangle lenses have an effective focal length of 28mm or shorter. The shorter the focal length, the wider the angle of view.

Watt seconds

Watt-seconds is  the usual measurement for the power output of professional flash systems. 1 watt-second is equivalent to the power of 1 watt for a period of 1 second. It’s used because it’s a measure of raw power output independent of any lighting modifiers, angle of coverage or reflective surfaces.

Watermark

A way of marking images as your own property to prevent others from passing them off as their own or earning income from your work. Watermarks are visible on the image, which is a downside, but they do act as a visible deterrent and warning that you take image copyright ownership seriously.

Warmth

A non-technical way of describing the colour temperature of the light in a scene. Pictures taken with a low sun have ‘warmth’ because the light takes on a golden colour. Many photographs – landscapes, for example – can be enhanced with a little additional ‘warmth’.

VR (Vibration Reduction) (Nikon)

Nikon’s name for its image stabilisation technology, as built into its DSLR lenses. Tiny gyroscopic sensors detect any camera movement during the exposure and instantly shift a group of internal lens elements to compensate and keep the image steady on the sensor.

Volume deformation

A special type of distortion correction once built into DxO Optics Pro but now built into the separate DxO ViewPoint application. It fixes the distortion usually seen with wideangle lenses where objects near the edge of the frame appear disproportionately wide – it’s most obvious with human figures.

Viveza (Nik Collection)

Viveza is a software plug in which offers localised adjustments for photos via ‘control’ points. It’s part of the Nik Collection. You can use it to apply dodging and burning effects to enhance colour images in just the same way you would in black and white.

Virtual horizon

A kind of on-screen spirit level that shows you when the camera is level. This can be useful in landscape photography, for example, when the horizon isn’t flat or visible. Some also have fore-and-aft levels to help avoid any tilt (and converging verticals) when shooting buildings.

Virtual Copy (Lightroom Classic)

Because Lightroom uses non-destructive editing, its adjustments are stored as metadata (processing instructions) rather than new image files. This means it can create any number of Virtual Copies of the same image for trying out different effects, without having to duplicate the image itself on your hard disk.

Vignette

An effect where the edges of the picture are darker than the centre. It was common with old lenses and it’s become associated with a vintage look. It’s considered a lens aberration these days, though photographers often like to add a vignette effect deliberately.

ViewPoint (DxO)

Software that corrects distortion using lens correction profiles, fixes volume deformation created by wideangle lenses and offers perspective correction tools for fixing converging verticals and more. Works as a standalone app or as a plug-in and also integrates with DxO Optics Pro.

Viewfinder grid

These are an option on both DSLRs and in electronic viewfinders. You can use the grid to make sure horizons are level and buildings are vertical – some grids confirm to the ‘rule of thirds’ to help you get a satisfying composition.

Viewfinder coverage

The percentage of the scene shown by the viewfinder. In better DSLRs you see 100% of the scene that will be captured, but in cheaper models it might only be 95-97%. That small difference can lead to objects showing at the edge of the frame that you hadn’t realised were there.

Video light

A lighting unit designed specifically for video, typically small and light enough to mount on the camera or alongside it on a video rig. Some flashgun makers are now building a small video light into their flash units.

Vibrance

A more sophisticated version of the regular saturation adjustment which targets the weakest colours rather than applying a constant saturation increase across the whole range. It’s less likely to produce solid, ‘clipped’ colours and can give a more natural, more controllable colour boost.

Variant (Capture One)

Used in Capture One Pro to create different versions of a photo without physically duplicating the image file on your hard disk. Capture One Pro’s adjustment are non-destructive, which means they consist of processing instructions rather than direct adjustments to image files. Lightroom has a similar feature called ‘Virtual Copies’.

UV filter

Almost colourless filter which is designed to cut blue (UV) haze in distant scenic shots, though this is less of an issue with digital imaging than it was with film. UV filters are still used, though, as a simple and inexpensive lens protector.

USB

Standard connection between cameras and computers, though these days most photographers would remove the memory card and use a card reader to transfer photos. USB ports can also be used for charging on some compact cameras and ‘tethered shooting’ on professional cameras.

Upright tool (Lightroom)

A set of perspective controls which can correct converging verticals, skewed horizons and other perspective problems. Lightroom offers a set of automated one-click buttons which often fix the problem immediately, plus a manual tool for correcting more complex or difficult perspective problems.

Underexposure

Where a picture comes out darker than you expected because of the way the camera has adjusted the exposure, or where you deliberately make the photo come out darker for dramatic effect.

UHS I/II

UHS is a new ultra high speed bus (data transfer connection) for SD memory cards. There are two versions: UHS-I and a more advanced UHS-II type. This refers to the physical construction of the card and does not directly indicate its speed. There are speed standards for UHS cards: UHS 1 guarantees a minimum speed of 10MB/s, which is suitable for full HD video recording, and UHS 3 guarantees a minimum transfer speed of 30MB/s, which is what you’d need for 4K video.

UHD video

This is what most people are referring to when they talk about ‘4K’ video. UHD video has a frame size of 3,840 x 2,160 pixels, so it’s slightly less than 4,000 pixels wide, but it does have a true 16:9 aspect ratio, so the picture proportions are the same as standard HD and full HD video.

Tungsten lighting

An old-fashioned form of continuous lighting once used extensively in studio and portrait photography but now superseded by more powerful and energy-efficient flash systems.

Travel tripod

Travel tripods are designed for compactness and light weight so that they can more easily be strapped to bags or even carried inside them. They have a specific design feature, whereby the legs fold upwards around the centre column and the tripod head to minimise their size when folded.

Travel camera

A more advanced version of a point and shoot camera with a much longer zoom range and, sometimes, more advanced photographic controls. The 20x or 30x zoom range makes these cameras much more versatile, but they use small sensors so the picture quality is limited.

Transform

Changing the perspective or scale of a photo or objects within the photo. Typically it can include straightening, scaling up and down, skewing or correcting converging verticals, for example.

Toy camera effect

A deliberately low-quality image effect that mimics the retro look produced by cheap old film cameras. Pictures have added contrast and colour saturation and strong vignetting at the edges of the frame. Some toy camera effects add a colour shift to simulate old and out of date film.

Touchscreen

Pretty self-explanatory really – an LCD screen offering touch control for camera settings, setting the focus point, menus and more. These are becoming increasingly popular on compact cameras and mirrorless models as a way of supplementing or replacing knobs and dials.

Touch AF

Autofocus mode where you tap on a touch-sensitive screen to choose the focus point for the picture. Some cameras also offer a touch shutter option where tapping the screen not only sets the focus point but fires the shutter too.

Tonemapping

A technique used by HDR software to ‘map’ the extremely wide brightness range of a high dynamic range image into an editable form where the extremes of shadow and highlight detail are preserved. It’s usually the first and sometimes the only step in making an HDR image.

Toning

Adding a coloured tone to black and white pictures to add depth or atmosphere. The most famous is sepia toning, so often used for Victorian portraits. These days most people simulate toning effects digitally using colour controls and effects filters.

Tint (white balance)

A secondary white balance adjustment used alongside colour temperature for more complex light sources like fluorescent lighting. Colour temperature works across an amber-blue spectrum, while tint adds a green-magenta axis.

Timelapse

A filming technique where frames shot at intervals are combined to make a video. For example, if you shot 300 frames at 1-second intervals and turned them into a movie running at 30fps, then five minutes of real time would be compressed into a 10-second movie.

Time (T) exposure

A close relative of the bulb (B) shutter speed setting and, like bulb mode, it’s used for long exposures. With time (T) exposures, though, you don’t hold the shutter button down all the time – you press once to start the exposure and a second time to end it.

Tilt shift

A specialised type of lens which can be tilted relative to the camera body. This changes the plane of sharp focus and can be used to extend or contract the available depth of field. It can also be simulated digitally using tools which leave a central strip of the photo in sharp focus but progressively blur the rest of the image towards the edges.

Tilting screen

One that tilts up and down but doesn’t flip out and rotate in all directions (an ‘articulating’ screen). Tilting screens are nonetheless useful for composing pictures with the camera at waist or ground level or above head height.

TIFF format

An image file format that uses ‘lossless’ compression but produces much larger files than JPEGs. It’s sometimes offered as a file format on more advanced cameras but it’s more useful later on as an image file format for image editing and manipulation on a computer.

Three way head

A three way tripod head has separate adjustments for horizontal movement (pan), fore and aft movement (tilt) and camera orientation (vertical or horizontal). This makes a three way head heavier and more bulky than a ball head, but it’s easier to make precise, fine adjustments in one direction only.

Tethered shooting

A technique used by professional studio photographers where the camera is connected to a computer and the computer is then used for controlling the camera, checking pictures as soon as they’re taken and then correcting and enhancing them as necessary before saving.

Telephoto

A lens which gives a magnified view of the scene. The magnification is proportional to the focal length of the lens, so a 100mm telephoto gives 2x the magnification of a 50mm standard lens.

Teleconverter

A special magnifier lens that fits between a telephoto lens and the camera body to increase its focal length. Teleconverters are often matched to specific lenses to ensure optical quality and performance. They typically come in 1.4x, 1.7x and 2x magnifications.

Sync terminal/socket

A cable connector for socket external flash units that’s still found on higher-end cameras like pro DSLRs but is becoming less and less common as photographers switch to wireless flash systems. These are usually triggered by a ‘master’ unit attached to the camera.

Ultra wideangle

A lens with a much wider angle of view than your camera’s kit lens. In 35mm camera terms, a super-wideangle lens is one with a focal length of around 20mm or less. Super-wideangle lenses are quite expensive and characterised by large, bulbous front lens elements.

Super telephoto

An extreme telephoto lens with an effective focal length of 400mm or longer and most commonly used by sports, wildlife and press photographers. These lenses are big, heavy and expensive but provide high levels of magnification not possible with ordinary lenses. Some consumer-orientated ‘bridge’ and ‘travel’ cameras have very long zoom ranges that fit into this category, though the small size of the sensor and limited optical quality of the lenses stops them being taken seriously alongside professional cameras.

Subscription software

A new way of paying for software where you pay a monthly or a yearly subscription rather than paying a single sum for a licence to use the software for as long as you like.

Subject tracking AF

A focus mode where the camera continually refocuses on a moving subject. The more advanced the AF system, the better it will be at keeping the subject in focus. It’s used mostly in continuous shooting mode for sports and action photography but can also be used for video.

Structure

A detail enhancing adjustment that emphasises object outlines by adjusting local contrast over a larger radius than regular sharpening tools. It makes finer details more prominent.

Straightening images

It’s very easy to accidentally shoot with the camera slightly skewed so that horizons or vertical objects aren’t straight. Most photo editing apps have a simple Straighten tool to put this right.

STM (Canon)

STM stands for stepper motor lenses, a new type of autofocus motor used by Canon in some of its lenses. Stepper motors offer fast, precise and quiet focus adjustments, so these lenses are well suited both to regular stills photography and to video, where autofocus noise can be picked up very easily by the camera’s internal microphone. Canon’s STM lenses work very effectively with cameras using Canon’s Dual Pixel CMOS AF autofocus system.

Stepping motor

As the name suggests, stepping motors move in small, incremental steps. They are simple, reliable and offer a good deal of control and precision. They’re now being used by Canon (STM lenses) and Nikon (AF-P lenses) in a number of consumer-orientated lenses, where they offer fast, quiet and smooth autofocus.

Status LCD

More advanced DSLRs have a secondary LCD display on the top so that you can check the main shooting settings without needing the rear screen. Status displays are black and white (or black on green) and usually have a backlight button for use in dark conditions.

Standalone software

Software that you launch directly and which doesn’t need any other program to run – as opposed to plug-ins, which need a ‘host’ application.

Stacking/grouping images

A way of keeping related images together in an image cataloguing program – such as different exposures in a bracketed series, the individual frames of a panoramic image, the shots from a continuous shooting sequence or edited and original versions of a photo. Adobe Bridge can stack images, as can Lightroom. Apple’s now-discontinued Aperture offered the most consistent and versatile stacking system.

Spot removal

Cameras with interchangeable lenses do not have sealed interiors and the sensors can pick up spots of dust. These can be removed in software using spot removal tools – you dab on the dust spot and the software uses nearby pixels to cover it up. It’s like cloning but easier, because you can leave the software to ‘heal’ the spot automatically.

Spot metering

A metering mode where the camera measures the light from a very small area of the scene. This might be right in the centre or, on some cameras, it’s directly beneath the selected autofocus point.

Spot healing brush

This is a tool for simply brushing away blemishes, sensor spots or unwanted objects in your pictures. You can ‘dab’ once with the brush for spots or paint over irregular objects. It uses pixels from surrounding areas to fill in the gap, and it works really well with small objects against larger backgrounds. It’s less effective at larger repairs, but worth and try nonetheless.

Split toning

A more complex type of toning where two colours are used not one – shadows are tinted with one tone and highlights with another. The results can be very effective, though it’s not always easy to find good-looking toning combinations and split toning doesn’t work with all images.

Spikes (tripod feet)

Tripods usually come with rubber feet on their legs, but these may not give much grip or purchase if you’re using them outdoors on soft or uneven surfaces – this is where it’s often better to have a metal spike instead. On some tripods, the rubber feet will screw back to expose a spike. On others, you may be able to unscrew the rubber feet and screw on spikes instead.

Speedlight/Speedlite

The names used by Nikon and Canon respectively for their camera flash units, both built-in pop-up flash and external flashguns. There’s nothing intrinsically different about these compared to regular flashguns – it’s just a different choice of name.

Sony

Sony is best known as a giant electronics manufacturer making devices across a range of markets, but its camera division is doing especially well. The market for compact point and shoot cameras has fallen, but Sony is doing very well with its professionally-orientated full-frame A7 series and A9 cameras. It also makes a continually expanding range of high-end professional lenses.

Solarization

A technique for reversing the tones in the brightest parts of the picture to produce a ‘semi-negative’ photo. It can create a very dramatic and surreal effect. It used to be done in the darkroom by re-exposing a print to light part-way through development, but can now be done much more controllably using software.

Soft focus

An effect often used for portrait photography which gives a flattering or glamorous look to female faces. There’s more to it than just defocusing the picture, though – soft focus filters add a soft haziness to highlights and areas of even tone but preserve the underlying image detail.

Softbox

A softbox fits around the head of a flash to provide a larger and more diffuse rectangular light source. It’s very popular amongst professional photographers for product shots, where it produces even lighting and nice reflections off glossy surfaces, and for portrait photographers who want to achieve a softer, more flattering effect.

Snapshot (editing)

A Snapshot is a record of the current image state while you’re editing it. You can create a Snapshot in Photoshop or Lightroom when you reach a point that you think you might want to return to during editing. You can save a number of Snapshots to quickly compare different editing steps.

SmugMug

An online photo sharing/portfolio website designed for photographers to display their work, create online portfolios and sell images.

Smart Preview (Lightroom)

With Lightroom’s Smart Previews you can store smaller, lower-resolution versions of your photos within the Lightroom catalog while storing the full resolution versions on an external disk drive. Smart Previews are compressed DNG files and fully editable – any changes you make are automatically used for the full resolution photo when your drive is reconnected. Smart Previews make it practical to view and edit your image library on a laptop with a relatively small internal drive.

Smartphone

Many smartphones have pretty good cameras. The best ones have sensors about the same size as those in point and shoot cameras and fixed focal length lenses. The lack of a zoom is a restriction, but otherwise the quality is just as good. There’s even a growing art movement around mobile photography.

Smart Lighting (DxO)

A feature in DxO Optics Pro that attempts to optimise exposure levels and highlight detail retention in RAW files. You can adjust the strength of the effect and apply exposure compensation at the same time, to get the ideal result.

Smart album/collection

An album or collection in a photo organising application that automatically brings together images that match the properties you choose. For example, you could have a smart album/collection containing pictures shot on a Sony A7 camera in the RAW format with the keyword ‘winter’.

Slow motion

Video shot at a higher frame rate and played back at a normal frame rate. For example, video shot at 60fps and played back at 30fps would appear to be running at half speed. Higher frame rates require more processing power, so not all cameras offer them.

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